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H U G E G
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Click on any of the photos for a larger image.
The money shot. A view from the entry way. Note the high ceilings, at the apex of which, you can see the curved diffusor/bass trap. The purple panels are OC703 high density insulation. The corner panels (alternating shades of purple) are angled from the walls to serve as bass traps. These corner panels are 4" thick with a void up to 2 feet in depth. The other purple panels are 2" thick and held off the walls with 2X2s, to lower the effective absorption frequency. See the construction page for details. |
The Input Rack. Trying to keep the inputs pure, I use a Demeter preamp for my Neuman, Crown, Shure and Audix mics. Then I go through the li'l miracle RNC compressor and into the MOTU 896HD. If I need more than two channels of preamp on tracking, I'll use the onboard pre's from the 896HD. |
The Legacy Rack. This gear is somewhat obviated by my digital upgrade. The top unit is a dbx 166 compressor. Nice unit. Nice complement to the RNC in that it can do dual mono and has noise gates built in. Under that is a Cooper sync box I used to sync ADAT to SMPTE to MIDI. What a nightmare of syncronization hell. Below that is an old ADAT, which I haven't used much, but it seems to be working pretty well. I use that to share tracks with my ADAT bretheren. Then comes the old DAT machine. Now that I can burn right to disc, it's a bit of a dinosaur, but there you have it. Finally, the vintage Hafler D-100, which powers my Audix 1A speakers. |
Farfisa Professional. The coolest looking keyboard in the arsenal, although she hasn't been cranked up in a while... |
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© 1999, 2000, 2001 & 2002 Todd E. Jones
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